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Amazing Spiderman #542 PDF Print E-mail
  Posted by Sam Holland    02:08 PM   Thursday, 09 August 2007 | Permalink         
In comics, superheroes threaten villains like a parent on a long road trip- “If you don’t settle down back there I’m going to leave you on the side of the road.”  It’s a ploy used to attract attention and inform to the seriousness of the request, but everyone knows there is no weight to it. 

So when Spider-Man told Wilson Fisk aka the Kingpin that he was going to kill him, I, being a jaded long time reader, didn’t really pay it much mind, even if Peter did say it with a furrowed brow and gritted teeth.  We all know that Spider-Man is a hero and although he may get awfully close, he would never cross that line. 

Don’t we?

Part 4 of “Back in Black” challenges that notion and shows us that this isn’t the same character we’re used to seeing.  Peter’s been pushed to the edge after a sniper, on Kingpin’s orders, shot Aunt May and put her in a coma. 


Fisk paid the prison guards to open all the cells and take the night off, turning the cell block into a cage match.  Prepared for battle dressed in his Sunday best, he opening salvo against Spider-Man is verbal, mocking his moral compass and calling him a “chump.”  There is some truth to his words, but it doesn’t distract Spidey from systematically softening up the Kingpin.  Things don’t get too serious until he sheds his mask and takes on the Kingpin as Peter Parker.  What follows is a good old fashioned beat down at the end of which, you realize that Peter truly has turned a dark corner and isn’t kidding around anymore. 

The writing is strong in this issue, not a surprise with JMS handeling the chores, but there’s an extra flair that has been missing over the last few issues, almost as if he couldn’t wait to get to The Big Fight- and who could blame him?  Kingpin has been making life miserable for Spider-Man for decades.  It’s about time the wheel came around. 

Ron Garney’s pencils are good as always, but his real strength is his layout.  Everything from the monologues to the fight flow easily and evoke power and weight. There’s no confusion no “what’s happening here?” on any page or panel.

Big confrontations like this are usually left for the final issue of an arc, but there’s still one issue of “Back in Black” left, and I can’t wait to see it.

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