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Interview: Brouwer and Hanegraaff |
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Posted by Vicki McCollum
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08:00 PM Saturday, 10 November 2007 |
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Vicki McCollum: How did you get together to write Fuse of Armageddon?
Sigmund Brouwer: Hank and I have been friends for years, and that led to The Last Disciple and The Last Sacrifice, both set in first century Rome, where readers see Revelation through the eyes of the audience it was written to. (Not forgetting that Revelation was written for everyone else in the centuries that follow.) We began talking about how not understanding Revelation today has political consequences, and that led to Fuse of Armageddon.
Fuse of Armageddon is not based on typical theology of end-times novels, such as Left Behind series. Describe the theology Fuse of Armageddon is based on.
Hank Hanegraaff: I take to task the very notion, popular in evangelical circles today, that God divides people by race or gender. God is neither a racist nor sexist. God does not divide people on the basis of race. So the very dispensational notion that God has two distinct plans for two distinct people eventuating in the Second Coming... I think is decidedly unbiblical.
If you read the Old Testament, you'll see that Ruth, who was a Moabite, the archenemy of Israel, is in an esteemed position of lineage of Jesus Christ. She didn't suddenly alter her DNA, but she believed in Yahweh, the God of Israel; and as a result she was counted as a true member of the tribe of Israel. If you look at the famous vision that Peter received at Joppa, Peter's response to that is, "Ah, now I understand that God does not show favoritism."
I think it is unfortunate that evangelicals are pointing their fingers
at President Bush and Condoleezza Rice, and saying that to the extent
you allow for a two-state solution in Israel, you are poking your
finger in the eye of God. This is because they want a racially
exclusive state in the Middle East. I think that is unwarranted. God
doesn't put Arabs or Palestinians on a different footing than Jews. He
doesn't judge us according to race or gender. To see that, read
Galatians 3, which says, "In Christ there is neither male nor female,
and there's neither Jew nor Greek.”
The
character Reverend Jonathan Silver begins as a stock character, a not
so subtle caricature of some TV evangelists. Did you base him on anyone
in particular?
Brouwer: I’m glad you notice that he begins as a stock character. He
was easy to create, based, of course, on the stock characters who are
very prominent as evangelicals in the American public domain. While
some will rightfully argue that these high-profile individuals do not
truly represent all evangelicals, it appears that they do, especially
to the rest of the world, and more especially to the Arab world.
However, I’m also glad you see that this stock character changes. We
did not want to set him up as a ‘straw man’ to make a point, but to
have him become a real person dealing with unexpected adversity with
true faith and courage.
Of all the characters in the novel,
Rev. Silver’s change is the most dramatic. Who do you want Silver to
speak to, and how do you want readers to interpret Silver?
Brouwer: From the beginning, we understand that evangelicals like
Silver have sincere motivations. His change is dramatic because he sees
the consequences of a flawed theology. Readers might not agree, but we
hope readers will at least carefully examine whether Left Behind
theology is flawed, as shown in the novel.
International police agencies linked
actual Islamic schools to recruiting and training terrorists. To my
knowledge, nothing similar has been tied to any Christian college. Yet,
in Fuse of Armageddon, Rev. Silver’s fictional bible college plays a
major role in recruiting religious radicals.
Brouwer: To our knowledge, this is strictly fictional too! However,
the Crusades against the Muslim world were not (fictional), and many
historians make the point that this has lead to a deep and continued
distrust within the Arab world against Christians.
Does Fuse sound a warning about the possibility that evangelical colleges could recruit and train holy warriors?
Hanegraaff: Not literally. Yet there is a point to be made. Many
prominent evangelical colleges require students to sign on to
dispensationalism, without leaving room for other points of view within
Christian orthodoxy. I don’t understand why this restriction of
intellectual freedom is not fought against. If dispensationalism is an
accurate theology, why do young people have to be forced to accept it?
Fuse presents the possibility
that certain end-times theology can negatively impact events in the
Middle East. How do you see this happening? How has dispensational
end-times theology influenced American involvement in the Middle East?
Brouwer: Evangelicals are no longer on the bleachers watching events
unfold, but are on the playing field now, helping things unfold. For
example, you have people like Tim LaHaye trying to herd Jews into the
Holy Land. They're trying to inflame the fires of Armageddon by helping
to fulfill the prophecy of a rebuilt temple where the Dome of the Rock
now stands.
• In late July of 2007, as just one example,
nearly 5,000 evangelicals gathered in Washington, D.C., at a conference
called, Christians United for Israel. The essential message to
politicians: Don’t pressure Israel into peace deals or giving up any
land. The essential reason: It’s against God’s will. Unfortunately,
this view is backed by a large percentage of 70 million evangelicals,
willing to exert significant political pressure against a two-state
solution in the Middle East and the peace it might bring. It’s a long
and unfortunate tradition.
• “The Christian fundamentalists were vehemently
opposed to the peace process,” says Itamar Rabinovich, Israeli
ambassador to the United States from 1993-1996. “They believed that the
land belonged to Israel as a matter of divine right. So they
immediately became part of a campaign by the Israeli right to undermine
the peace process.”
• In 1998, evangelical leader Jerry Falwell threatened to
mobilize thousands of pastors if U.S. President Bill Clinton pressured
Israel into peace efforts. Clinton quickly backed down. High-profile
evangelical John Hagee is continuing this pressure through CUFI.
 Much
of the Arab world’s shared outrage against the United States began and
continues over the Palestinian land claims conflict. Without
questioning in any way Israel’s right to exist, crucial geo-political
decisions ought not to be affected by a theology that needs critical
examination, especially since orthodox Christians disagree markedly
among themselves on Israel’s divine right to the land. During his time
on earth, Christ stated his mission was to establish a heavenly
kingdom, not an earthly one. Furthermore, the apostle Paul tells us
that the true Israel includes all of those with faith in the divine
Christ – Jews or non-Jews. In short, God is not a land broker. What’s
truly frightening is the broad evangelical belief, behind the support
for Israel, that God wants a rebuilt temple on the site of the Muslim
Dome of the Rock. If there ever was the potential to trigger
Armageddon, this is it.
What do you say to Christians who believe their influence on American foreign policy over Middle-Eastern events is biblical?
Hanegraaff: First, Paul tells us that we are all Jews under Christ.
It’s not about ethnicity, but relationship. Second, as mentioned,
Christ stated his mission was to establish a heavenly kingdom. We
should not focus on a little piece of land on the east coast of the
Mediterranean Sea as the hope of the believer. The hope is not that
people are going to be gathered into Jerusalem.
The hope of Scripture was always to leave Jerusalem with the Gospel
message. There’s a danger in trying to limit Jews to an inheritance of
a small piece of land while giving Christians all of heaven. Third, we
should carefully examine whether the term “Israel” used in the Bible
corresponds directly to “Israel” as a modern geo-political state,
especially since polls show that today’s Israel is a very secular
society.
What is the take away message for readers of Fuse of Armageddon?
Hanegraaff: God is not pro-Jew, God is pro-justice. God is not pro-Palestinian, God is pro-peace.
Do your previous collaborations have similar themes to Fuse of Armageddon?
Hanegraaff: No, but the theme of trying to understand Revelation runs
through all our projects. Reading Revelation correctly is crucial,
because it impacts how a person reads the rest of the Bible.
Are you planning to collaborate on another novel? If so, please tell us about it.
Brouwer: The Last Temple will wrap up our historical series. It will
show how the fall of the temple in A.D. 70 to the Romans fulfills the
prophecy that Jesus made to his followers.
About the authors:
Sigmund Brouwer, author of numerous adult and children’s books, recently collaborated with Hank Hanegraaff in Last Disciple fiction series, 2004. Brouwer is married to recording artist Cindy Morgan.
Hank Hanegraaff hosts the Bible Answer Man daily radio program. Hanegraaff’s nonfiction books, Resurrection and Christianity in Crisis
won the Gold Medallion for Excellence in Christian Literature awarded
by the Evangelical Christian Publisher’s Association. He also wrote The Da Vinci Code: Fact or Fiction? and Seven Questions of a Promise Keeper.
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Posted by Anita K. Palmer
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04:00 PM Saturday, 10 November 2007 |
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 “I’m a utopian.”
With his soul-patch goatee and graying surfer hair, Rick Bundschuh looks like the hip middle-aged Jesus freak he is. His bio actually gives his title at Kauai (Hawaii) Christian Fellowship as the “Pastor of Wildness”—and after three decades of youth work, that just may be true.
Why does he describe himself as a utopian, whatever that is?
Last month at the National Youth Workers Convention in San Diego, Bundschuh talked about his latest wild idea: UnKommon Media, a Web-based publishing portal for the proliteriat (or at least the unpublished youth worker).
Bundschuh and fellow “trouble maker and loose cannon” Ken McCoy believe there are a lot of creative Christians out there, who have potentially great resources but no “platform” from which to get the eye of traditional publishers.
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Posted by Cheryl Russell
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12:00 PM Saturday, 10 November 2007 |
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Mosaic, written by Amy Grant, is just that—vignettes from a life lived, for the most part, in the spotlight's glare. For anyone looking for a timeline or tell all biography this book will disappoint. This isn't a book that starts at the beginning and travels through time to the present, giving readers every detail. Instead, this memoir intertwines her songs and the stories behind them.
The book is split into four sections, and each section is then split into a song/story combination relating to that section's title.
Every Road contains stories about journeys—some Amy's, some from people she's met, others from listeners that chose a different path than the one they are currently on because a song has spoken to them in a life-changing way. In "Salt Water," she writes about her nieces experiencing the ocean for the first time. "Dorothy Lee" tells of the time she and her husband, Vince Gill, gave a birthday gift to a fan and received so much more in return. Some of her songs highlighted in this section are: "Hats," "Thy Word," and "Turn This World Around."
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Posted by Brett McLaughlin
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10:00 AM Saturday, 10 November 2007 |
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 Well, every once in a while you stumble onto a book that you can’t put down. No, I don’t mean that you read an extra fifty pages of at night. That’s good, but I’m talking about a situation where you’re bone-tired and you can’t stop thumbing the pages. Hundreds of them, until you’re done.
That’s Killer Instinct, the 2006 release from Joseph Finder. The book hung out on the New York Times Bestseller List, and won Joseph Thriller Book of the Year. Rightfully so, too. It’s simply brilliant.
Killer Instinct is the story of Jason Steadman, a sales rep at a big electronics company, competing with Pansonic and NEC. He’s peaked, largely because he’s lost the edgy “take no prisoners” attitude that he started out with years ago – the same attitude that won over his bride. Now, he’s cruising along, doing okay, nothing great, nothing awful.
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Posted by Liz Boltz Ranfeld
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10:00 AM Monday, 05 November 2007 |
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 Harper Lee, author of the classic coming-of-age novel To Kill a Mockingbird, will receive the Presidential Medal of Freedom today. She is being honored for her contribution to American literature.
Lee's one novel is required reading for many American schoolchildren. It is praised not only for its great characters, but also for the way it deals with racism and social justice.
Since its publication in 1960, To Kill a Mockingbird has won the Pulitzer Prize in literature, become the world's best-selling novel of all time, and has sold over 30 million copies.
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Posted by Brett McLaughlin
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08:00 PM Saturday, 03 November 2007 |
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I should preface everything that follows by saying that I
came to this book - and more specifically, this author - with really high
expectations. By and large, I've been let down by "Christian suspense," but
I've heard that Brandilyn Collins is one of the trailblazers in that area.
Violet Dawn is the
story of Paige Williams, a loner running from her past. The story opens with
Paige heading out to her backyard to take a leisurely hot tub break. She
discovers a dead body in the hot tub, an apparently murdered high-profile
citizen of the town she's recently moved to. Because of her past (which we
don't know anything about yet), she chooses to take matters into her own hands
and hides the body in a nearby lake.
The bulk of the book is the 24-hour period that follows. Her
drive to the lake, her cleaning up of the non-crime scene, the investigation,
led by a local sheriff and his deputies, and the ensuing chase by a local
newswoman determined to figure out what's going on. There's a bad guy, named
only the Black Mamba, who crops up to punctuate the action and shows up in the
climax.
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Posted by Liz Boltz Ranfeld
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06:00 PM Saturday, 03 November 2007 |
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Last month, Emily Zenker wrote about how the church has
divided the arts into the sacred and the secular , divisions that probably
shouldn't be used in the way that they are.
Sure, the terms can be handy in dividing up the marketplace between
"Christian" and "secular" products, but that's about all they're good for. In reality, as Emily explained, art can't be so
easily assigned into categories.
An artist who expresses truth through her art can't express
anything other than God's truth, because there is no truth outside of God. I believe that beauty is similar. Nothing beautiful can exist outside the realm
of God's influence. Christians like to
make the claim that "the devil makes evil things seem beautiful," but true
beauty is not so easily replicated. True
beauty is something that can't be imitated, because it is True, capital T.
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The Espresso Book Machine: A Page Out of the Future? |
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Posted by Emily Zenker
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04:00 PM Saturday, 03 November 2007 |
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Ever wish you had a certain
book but can't find it because it's rare or out of print? In the
future, your problem may be solved as quickly as it takes to drink a
cup of coffee. An American company called On Demand Books has created
a machine for cafeteria-style book printing, allowing customers to choose
any book and minutes later receive a personal copy, available in several
languages. The Espresso Book Machine (EBM) accesses digitally scanned
files and then prints and binds the book on-site.
This experimental venture opens
up a possibility of both smaller bookstores and larger book selection.
The chief executive of On Demand Books predicts that "retailers will
only need to stock bestsellers and perhaps hold a selection of titles
for browsing purposes." He also hopes that his company's innovation
will help stave off the growing trend of digitally-downloaded books.
As On Demand's cofounder Jason Epstein says, "Printed books are
one of history's greatest and most enduring inventions. What needs
to change is the outdated way that books reach readers."
Measuring only 5 cubic feet,
with the ability to print 15-20 reasonably sized books per hour, Espresso
Book Machines currently exist in a total of five locations: four in
the U.S. and one in the famed library in Alexandria, Egypt.
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